Common Mistakes in Wildlife Photography

Having read this, I look back to one of the best pictures of the Kng Fisher that I made, on a day that I was just walking around to fill the tme. There he was!  Flying in front of me, resting, flying further.. Klick, klick.. and a few times I was too late. All the points in this article make sense, even for the 'park shootings' 

Common Mistakes in Wildlife Photography

 

You’ve spent hours waiting for your target animal to appear. You lift up the camera and fire the shutter, securing yourself a series of images. But with the adrenaline rushing, have you accidentally made some of the most common mistakes in wildlife photography? Quite possibly.
To take the best shot you can, it is important to keep in mind the basics and ensure that you don’t panic and just take as many pictures as possible without thinking. One good picture is better than ten rubbish ones.
When I offer tuition sessions, I see many photographers making the same mistakes when faced with a relatively rare wild animal to photograph. The excitement takes over, and the essentials are forgotten. Luckily I am there to remind them, so I have put this article together to help you. Read through these points, and make sure you don’t make these mistakes! It’ll help you get closer to the perfect shot.

#1 Failure to Review Images

When you are trying to take as many images as possible, it is very easy to forget to review your images and check for any mistakes. Once you’ve taken a selection of frames, pause for a moment and quickly review a couple of them. Check to see if they are overexposed or underexposed. If this is the case, adjust your settings to improve the image.


There’s nothing worse than looking at your images later, and finding out that they are all unusable and headed for the bin. We’ve all been there and made this painful mistake at some point, I can assure you!

#2 Motion Blur

Animals often move quickly, and thus you can regularly find motion blur in your images if you aren’t careful about your shutter speed.
Don’t be scared to increase the ISO value if you need a faster shutter. A noisy image is better than a completely blurred one. If you review your images and find that they are sharp and you are shooting at a high ISO, then take a second to reduce the level until you are happy.

#3 Not Ready to Press the Shutter

I’ve seen many photographers who are guilty of this little, but impacting, mistake. When shooting from a hide, it is more comfortable to rest your camera on your knee. But if there is an animal in the area, don’t wait until it is in position before you lift your camera. Make sure you are always following your subject in the viewfinder and have your camera poised in position.
The most incredible moments can happen in a split second, but if your camera is pointing at the floor then you aren’t going to catch it.

#4 Depth of Field is too Shallow

If you’re shooting at a very shallow depth of field (wide aperture), you may find that parts of your subject are out of focus. If you’re shooting an image of a bird facing you, you might find that its beak is out of focus. This is because the depth of field is too narrow, and you need a smaller aperture.
For this reason, it is not always the case that you should photograph at the widest aperture setting. Consider the size of your subject and your distance from it (the closer to the camera, the smaller the depth of field will be), and adjust your aperture accordingly.
For a more in-depth look at this issue, read our “Aperture: Is Bigger Always Better?” article.

#5 Not Being Patient

It sounds simple, but people can underestimate the mental challenge that is waiting in a hide. Hours and hours can be spent for days and days without seeing anything. That’s the game of wildlife photography, and it makes it much more rewarding when you get the photo you have been dreaming of.
Be prepared to be disappointed time and time again. Don’t give up at the first hurdle, thinking it will “never happen”. With patience and dedication, you’ll probably get to see what you’ve been waiting for.

#6 Not Watching Your Surroundings

Don’t let your attention become focussed in one specific area for too long. Make sure you are wary of what is going on around you, as you may miss another amazing photographic opportunity nearby.
It can help to keep both eyes open when looking through the viewfinder. This technique takes some practising, but you will be able to monitor other animals in the area and spot more potential shots while you click away.

How to Photograph Wildlife in Low Light

How to Photograph Wildlife in Low Light

Will Nicholls

January 28th, 2016

3 Comments

As a wildlife photographer, you will be well aware of the fact that most animals we wish to take photos of come out at dawn or dusk. This is also the time of day that the least light is available. If you’re watching wildlife in a woodland area, then the available light is further decreased due to the canopy.
When light is very low, it is all about making the best of a “bad” situation. Usually, you’ll have to compromise something to achieve a properly exposed image. Here are some things to think about in such a situation.

Aperture

Shoot with as wide an aperture as you can, so to let in as much light as possible. The best telephoto lenses will go to f/2.8, letting in a greater amount of light and making your life a lot easier in dark conditions. However, not everyone has access to such equipment and instead has to cope with the limitations of budget telephoto lenses. You may find that your lens only stops down to f/5.6 or higher. With this reduced amount of light reaching the sensor, you need to use other methods to brighten your photos.

ISO Speeds

The ISO speed you choose is very important for low light photography. Don’t be afraid of high ISO speeds and the digital noise it may bring into your photos. Make sure you know the ISO capabilities of your camera beforehand, as then you can have a good idea of how far you can push your equipment. Some cameras perform badly at higher ISOs, resulting in very noisy images, while others can perform much better. This is a case of you get what you pay for – cameras with better sensors will produce less noise at a given ISO speed.

If you keep your ISO value low, you will probably end up with a slow shutter speed. The result could well be a blurred image, and that is no use. It is better to be brave, pump up the ISO and cope with some noise – at least you then have a usable photograph.
Further Reading: “Choosing the Optimum ISO Speed“
Remember, even if your photo is noisy from using this technique, you can reduce the noise to some degree in the post processing stage. Have a read of “How to Reduce Noise in Lightroom“ to learn about this.

Some cameras perform very well at higher ISO speeds. This image was taken at ISO 10,000 using a Nikon D4.

Shutter Speeds

How steady can you hold your camera? Is your subject sitting still? Does your lens have vibration reduction? These are all questions you should be asking yourself if you are faced with a low light situation. If you have one to hand, then use a tripod. This reduces camera shake, allowing for slower shutter speeds to be used. Equally, vibration reduction that comes with many lenses nowadays can help to stabilise shots at slower speeds (although sometimes this can be detrimental if used as well as a tripod).
If your options are really limited, and if the animal you’re photographing is not moving very much, then you can afford to use a much slower shutter speed. I have, in the past, taken images at speeds of just 1/60th of a second or less when the light was very low. But it is a good idea to take a burst of frames when shooting at slow speeds like this, as you are then much more likely to have one that is sharp.
The photo below was taken early on in my career with very limited equipment. Light was in short supply as I was stalking deer early in the morning and the sun wasn’t fully up. At the time I was using a Nikon D80 and took this photo at ISO 400; even then it was pushing the limits. Consequently, I was forced to push the shutter speed down to 1/100th of a second whilst using it handheld. Even so, I got a usable image from my efforts.

This next photo was actually shot at 1/80th of a second at an aperture of f/8 and ISO 400. The light clearly wasn’t particularly low on this occasion, but I’m showing you this photo to illustrate the fact that very slow speeds can still be perfectly sharp.

If you spend a lot of time taking photos in much brighter conditions, you may be used to using very quick shutter speeds. This is not always necessary, especially if you aren’t shooting an action-packed sequence. Just because you aren’t shooting at 1/1000th of a second or more, it doesn’t necessarily mean your images won’t be sharp at slower speeds.

Zoom Lenses

If you are using a zoom lens with a variable aperture range, your maximum aperture is widest when fully zoomed out. If this describes your lens, then consider zooming out a little and widening the aperture to give yourself a little bit more light. You can then crop in again when editing your photo afterwards.

Take Lots of Photos

Once you’ve optimised your settings as best you can, make sure that you hold down the shutter and utilise your camera’s burst mode each time you take a shot. By taking more images, this increases your chances of getting a sharp photo.

Don’t Underexpose Your Photos

If possible, be sure not to underexpose your photos too much. This will only mean that you end up pulling the exposure slider up during post processing to compensate, and combined with an already high ISO speed you’ll introduce even more noise to your photo. When conditions are very bad, you’re going to need to be bold and take a risk with your settings. But underexposing a photo in the field could ultimately scupper your results during post production.

Be Realistic About Your Expectations

Sometimes you just can’t get enough light, even with the best of equipment. Be realistic about what you can expect and understand that there are times when you might not be able to do anything about the poor light conditions.
If you’re finding the limitations of your camera and its ISO capabilities a real problem, then an upgrade can make all the difference. Take a read of our article “3 Telltale Signs You Should Upgrade Your Camera Equipment“.